This was not to be the end of Dry Kill Logic, it was merely the calm before the storm.Īfter this much needed break, Dry Kill Logic regrouped with a vengeance. Despite the local successes, internal tensions in the band were running high and when their then-guitarist split, Dry Kill Logic decided to spend 1999 taking some time off and strategizing their next move. "When we get on stage it's such a ferocious, violent show," Cliff states. Quickly hailed by their peers as a force to be reckoned with, they were invited to share the stage with Coal Chamber, Incubus, Anthrax, System of a Down, and the Misfits, just to name a few.
#DRY KILL LOGIC THE DARKER SIDE OF NONSENSE RAR FULL#
People aren't willing to let go of even the smallest thing." After wracking up some prime opening slots for the likes of Exodus, Flotsam & Jetsam, and Pro-Pain, the band went into the studio in July '98 with producer Andy Katz (Overkill, Local H, Rakim) to cut a full length effort, 'Elemental Evil'. Everything has to be a really big deal these days. "I've always felt that the forces of stupidity surround the human race constantly. "Psychodrama is everywhere," Cliff explains. In 1997 they released their first EP 'Cause Moshing Is Good Fun' on their own Psychodrama Records. Originally formed in Westchester, New York in 1995, Dry Kill Logic took their cue from the proverbial gods of metal - Pantera, Tool, King Diamond, Sepultura and Fear Factory. Singer Cliff Rigano, guitarist Scott Thompson, bassist Dave Kowatch and drummer Phil Arcuri deftly combine their uniquely-styled rage, tension and talent into an explosive mixture that separates them from others in their genre. That is not to say that the music lacks attitude, in fact it is downright pissed off, but with a focus that is not often heard in heavy music today.
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It isn't often that a band like Dry Kill Logic comes along - a band whose musical depth exceeds its anger.